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dc.contributor.authorQUINTILI, Paolo
dc.date.accessioned2024-12-20T12:32:56Z
dc.date.available2024-12-20T12:32:56Z
dc.date.issued2024
dc.identifierONIX_20241220_9791221503197_155
dc.identifier.issn2704-5919
dc.identifier.urihttps://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/96360
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world history
dc.subject.otherEnlightenment
dc.subject.otherwork
dc.subject.otherarts
dc.subject.othertechniques
dc.subject.othercrafts
dc.titleChapter Arti, tecniche e mestieri in Diderot e nell’Encyclopédie
dc.typechapter
oapen.abstract.otherlanguageThe Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers (1751-1772) is the laboratory of experience of the new technical-rational values produced by the 18th century and the philosophie. Science and the mechanical 'arts', labor, invention, industry and trade; and, following on from these, freedom of conscience, tolerance, dialogue etc., in their controversial relations, give a representation of the conflicts of the newly-born bourgeois society. Exponents of the 'enlightened', learned and anticlerical nobility (Jaucourt, d'Holbach, Hélvetius); of the intellectual petty bourgeoisie (Diderot, Rousseau, Marmontel, Deleyre); of the 'liberal clergy' (the abbés De Prades, Yvon, Pestré and many others). Work and the representation (also figurative) of the productive operations of the mechanical arts are the central point, the main means through which the Enlightenment's enterprise of human emancipation is accomplished.
oapen.identifier.doi10.36253/979-12-215-0319-7.65
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221503197
oapen.series.number257
oapen.pages10
oapen.place.publicationFlorence


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