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dc.contributor.authorTorriti, Paolo
dc.date.accessioned2024-12-20T12:40:54Z
dc.date.available2024-12-20T12:40:54Z
dc.date.issued2024
dc.identifierONIX_20241220_9791221504002_333
dc.identifier.urihttps://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/96539
dc.languageItalian
dc.relation.ispartofseriesQuaderni del Dipartimento di Scienze storiche e dei beni culturali
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.subject.classificationthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899
dc.subject.classificationthema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999
dc.subject.otherLivio Poggesi
dc.subject.otherArte irregolare
dc.subject.otherOutsider Art
dc.subject.otherArt Brut.
dc.titleChapter «Io penso che questo riesce benino». Vita e opere di Livio Poggesi 1934-1985 | Livio Poggesi
dc.typechapter
oapen.abstract.otherlanguageThe essay reconstructs the activity of the outsider artist Livio Poggesi, from his beginnings in the painting atelier of the neuropsychiatric hospital of Arezzo, in 1958, until his death, which occurred in this hospital in 1985. The paintings of Livio Poggesi , a self-taught with fifth grader who liked to paint, write and study, reflect the emotional and sentimental agitations of his life: dreams, memories, anxiety and visions are transmitted to us through his paintings. However, Livio is not an artist because he suffers from mental pathologies; on the contrary, he is a brilliant artist with some mental disorders. They are works free from any formal heritage and from any cultural and stylistic influence (previous or contemporary styles and movements), creations that go beyond our habits and models.
oapen.identifier.doi10.36253/979-12-215-0400-2.12
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221504002
oapen.imprintUSiena Press
oapen.series.number3
oapen.pages62
oapen.place.publicationFlorence


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