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dc.contributor.authorMANIERI, ANTONIO
dc.date.accessioned2024-12-20T12:43:58Z
dc.date.available2024-12-20T12:43:58Z
dc.date.issued2024
dc.identifierONIX_20241220_9791221504224_398
dc.identifier.issn2975-0261
dc.identifier.urihttps://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/96604
dc.languageItalian
dc.relation.ispartofseriesConnessioni. Studies in Transcultural History
dc.subject.classificationthema EDItEUR::C Language and Linguistics::CF Linguistics
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies
dc.subject.otherfudoki
dc.subject.otherTango Province
dc.subject.otherNara Period
dc.subject.otherUrashima Tarō
dc.subject.otherHagoromo
dc.titleChapter Alla «dimora degli immortali». I frammenti del Tango no kuni fudoki
dc.typechapter
oapen.abstract.otherlanguageThe present essay addresses the analysis of three fragments from the Tango no kuni fudoki (Record of the Tango province and its customs), which have reached us indirectly through various mediaeval sources. The Tango no kuni fudoki is one of the provincial chronicles compiled in response to Queen Genmei’s edict in 713. Although these three fragments do not provide a complete understanding of the original text, they offer insights into certain anecdotes closely tied to the narrative of the ancient province. This paper will begin by introducing the characteristics of the text, including its dating, authorship, and style. Following this introduction, the essay will delve into the themes present within the fragments, considering their connection to subsequent historical and cultural developments. Ultimately, the paper will provide an annotated translation of the three fragments, aiming to shed light on their content and significance.
oapen.identifier.doi10.36253/979-12-215-0422-4.17
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221504224
oapen.series.number3
oapen.pages14
oapen.place.publicationFlorence


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