Chapter Le campagne allucinate: sul modernismo rurale nella letteratura giapponese di inizio Novecento
| dc.contributor.author | Zanotti, Pierantonio | |
| dc.date.accessioned | 2024-12-20T12:44:06Z | |
| dc.date.available | 2024-12-20T12:44:06Z | |
| dc.date.issued | 2024 | |
| dc.identifier | ONIX_20241220_9791221504224_401 | |
| dc.identifier.issn | 2975-0261 | |
| dc.identifier.uri | https://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/96607 | |
| dc.language | Italian | |
| dc.relation.ispartofseries | Connessioni. Studies in Transcultural History | |
| dc.subject.classification | thema EDItEUR::C Language and Linguistics::CF Linguistics | |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies | |
| dc.subject.other | Rural Modernism | |
| dc.subject.other | Mark Fisher | |
| dc.subject.other | Yamamura Bochō | |
| dc.subject.other | Hagiwara Sakutarō | |
| dc.subject.other | Miyoshi Tatsuji | |
| dc.title | Chapter Le campagne allucinate: sul modernismo rurale nella letteratura giapponese di inizio Novecento | |
| dc.type | chapter | |
| oapen.abstract.otherlanguage | In this essay, making use of concepts from the scholarship on rural modernism and Mark Fisher’s aesthetic reflection on the “weird” and the “eerie”, I analyze some texts in Japanese literature from the first three decades of the twentieth century. In the works of Yamamura Bochō, Hagiwara Sakutarō, and Miyoshi Tatsuji we find traces of a representation of the countryside as a site with its own specific form of modernity; the treatment of rural settings in non-realist modes; humus as the source of a weird externality; and the rural landscape as a powerfully eerie place. | |
| oapen.identifier.doi | 10.36253/979-12-215-0422-4.20 | |
| oapen.relation.isPublishedBy | bf65d21a-78e5-4ba2-983a-dbfa90962870 | |
| oapen.relation.isbn | 9791221504224 | |
| oapen.series.number | 3 | |
| oapen.pages | 16 | |
| oapen.place.publication | Florence |
