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dc.contributor.authorNyfeler, Judith
dc.date.accessioned2019-12-09 14:30:31
dc.date.accessioned2020-04-01T09:23:15Z
dc.date.available2020-04-01T09:23:15Z
dc.date.issued2019
dc.identifier1006537
dc.identifierOCN: 1135853983en_US
dc.identifier.urihttp://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/23609
dc.description.abstractHow is creativity created in fashion? Judith Nyfeler examines the actors involved along with their specific organizational methods (routines, technologies, projects, cooperations) and linguistic expressions (narratives, shows, storytelling). It turns out that instead of constantly renewing, variants are formed, whereby the formal facade of creativity and the operative activities of production are organizationally resolved from each other. The formation of variants is enhanced by language elements, which are always worked on, which in turn represents the basis for change as well as stability in fashion.
dc.languageGerman
dc.relation.ispartofseriesSozialtheorie
dc.subject.classificationthema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJU Organizational theory and behaviouren_US
dc.subject.otherCreativity
dc.subject.otherOrganization Studies
dc.subject.otherInnovation
dc.subject.otherCreative Industries
dc.subject.otherNeo-institutionalism
dc.subject.otherFashion Studies
dc.subject.otherChange
dc.subject.otherVariation
dc.subject.otherLanguage
dc.subject.otherTechnology
dc.subject.otherSociology of Organizations
dc.subject.otherKreativität
dc.subject.otherOrganisationsforschung
dc.subject.otherInnovationsforschung
dc.subject.otherNeo-Institutionalismus
dc.subject.otherMode
dc.subject.otherWandel
dc.subject.otherVariation
dc.subject.otherSprache
dc.subject.otherTechnologie
dc.subject.otherOrganisationssoziologie
dc.titleDie Fabrikation von Kreativität
dc.title.alternativeOrganisation und Kommunikation in der Mode
dc.typebook
oapen.abstract.otherlanguageWie wird Kreativität in der Mode hervorgebracht? Judith Nyfeler untersucht die daran beteiligten Akteure samt ihrer spezifischen Organisationsweisen (Routinen, Technologien, Projekte, Kooperationen) und sprachlichen Ausdrucksformen (Narrative, Shows, Storytelling). Dabei zeigt sich: Anstatt sich ständig zu erneuern, werden Varianten gebildet, wodurch die formale Fassade der Kreativität und die operativen Aktivitäten der Produktion organisatorisch voneinander gelöst werden. Die Variantenbildung wird durch Sprachelemente verstärkt, die stets mitbearbeitet werden, was wiederum die Grundlage für den Wandel, aber auch die Stabilität in der Mode darstellt.
oapen.identifier.doi10.14361/9783839449929
oapen.relation.isPublishedByc03bf030-a9f4-472d-8c22-f28a8788e05e
oapen.relation.isFundedBy07f61e34-5b96-49f0-9860-c87dd8228f26
oapen.relation.isbn9783837649925
oapen.collectionSwiss National Science Foundation (SNF)
oapen.imprinttranscript Verlag - Bielefeld University Press
oapen.pages248
oapen.place.publicationBielefeld
oapen.grant.number10BP12_187370
oapen.grant.programOpen Access Books
oapen.grant.projectFashioning Creativity - Neuerungen als Resultat von Technologie und Sprache in der Mode
oapen.identifier.ocn1135853983


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