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dc.contributor.authorMurphy, G. Ronald
dc.date.accessioned2020-06-23T07:40:39Z
dc.date.available2020-06-23T07:40:39Z
dc.date.issued1980
dc.identifierONIX_20200623_9781469656755_94
dc.identifier.urihttps://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/39846
dc.description.abstractThis study identifies the underlying patterns of persistent biblical allusion in the work of renowned playwright Bertolt Brecht. Rather than reducing Brecht's use of the Bible to the purely satirical, the author interprets the full dramatic function of Brecht's complex use of scripture. Using examples from plays written throughout the span of Brecht's career, Murphy shows how Brecht invokes the stories of Old Testament figures such as Job and Isaiah as well as the crucifixion accounts of the New Testament in order to build sympathetic characters and explore his more political themes.
dc.languageEnglish
dc.relation.ispartofseriesUNC Studies in the Germanic Languages and Literatures
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSG Literary studies: plays and playwrightsen_US
dc.subject.otherGerman studies
dc.subject.otherLiterature
dc.subject.otherTheatre and Drama
dc.titleBrecht and the Bible
dc.title.alternativeA Study of Religious Nihilism and Human Weakness in Brecht's Drama of Morality and the City
dc.typebook
oapen.identifier.doi10.5149/9781469656755_Murphy
oapen.relation.isPublishedBy29b4cf74-8c0a-422f-9d27-e862ca722861
oapen.relation.isFundedBy0314e571-4102-4526-b014-3ed8f2d6750a
oapen.relation.isFundedBy0cdc3d7c-5c59-49ed-9dba-ad641acd8fd1
oapen.series.number96
oapen.pages122
oapen.place.publicationChapel Hill
oapen.grant.number[grantnumber unknown]
oapen.grant.number[grantnumber unknown]
oapen.grant.programHumanities Open Book Program
oapen.grant.programHumanities Open Book Program


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