Goldgrund und Perspektive
Fra Angelico im Glanz des Quattrocento
| dc.contributor.author | Quené, Saskia C. | |
| dc.date.accessioned | 2023-07-04T15:55:32Z | |
| dc.date.available | 2023-07-04T15:55:32Z | |
| dc.date.issued | 2023 | |
| dc.identifier | ONIX_20230704_9783422800533_9 | |
| dc.identifier.uri | https://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/63760 | |
| dc.language | German | |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art | en_US |
| dc.subject.classification | thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style | en_US |
| dc.subject.classification | thema EDItEUR::6 Style qualifiers::6R Styles (R)::6RC Renaissance style | en_US |
| dc.subject.classification | thema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and painting | en_US |
| dc.subject.other | Gold ground | |
| dc.subject.other | perspective renaissance | |
| dc.subject.other | medieval art | |
| dc.title | Goldgrund und Perspektive | |
| dc.title.alternative | Fra Angelico im Glanz des Quattrocento | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Monographic study of the gold ground in Italian panel painting. Analyzes the art historiographical use of the term in the 20th century. "Gold ground" and "perspective" are not thought of as oppositional. For example, Fra Angelico is shown to develop strategies for perspective representation from within the gold ground. Notes theological, philosophical, and historico-scientific sources. | |
| oapen.identifier.doi | 10.1515/9783422800533 | |
| oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
| oapen.relation.isFundedBy | 07f61e34-5b96-49f0-9860-c87dd8228f26 | |
| oapen.relation.isbn | 9783422800533 | |
| oapen.relation.isbn | 9783422989382 | |
| oapen.relation.isbn | 9783422800540 | |
| oapen.collection | Swiss National Science Foundation (SNF) | |
| oapen.imprint | Deutscher Kunstverlag (DKV) | |
| oapen.pages | 332 | |
| oapen.place.publication | Berlin/Boston | |
| oapen.grant.number | [...] |
