The Getty Fiend
| dc.contributor.author | White, Ken | |
| dc.contributor.other | du Plessis, Michael | |
| dc.date.accessioned | 2024-01-29T10:17:45Z | |
| dc.date.available | 2024-01-29T10:17:45Z | |
| dc.date.issued | 2024 | |
| dc.identifier.uri | https://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/87344 | |
| dc.description.abstract | The Getty Fiend, a contemporary medieval melodrama set in Los Angeles’s Getty Museum, takes the reader on a tour filled with rock stars and warrior-kings, werewolves and archivists, sartorial Huns and libertine saints, all seen through the keenly dramatic flair of a collector’s eye. A cinematic and labyrinthine take on pulp horror, Ken White’s screenplay-in-verse is a monster mash-up of forms and languages, facades and carnal catastrophes, archaic languages and misplaced rhetorics—a campy, fantastical gender-bending transformation into the inadvertently divine. | en_US |
| dc.language | English | en_US |
| dc.subject.classification | thema EDItEUR::D Biography, Literature and Literary studies::DC Poetry::DCF Poetry by individual poets | en_US |
| dc.subject.other | werewolves;Bisclavret;Getty Museum;Los Angeles;mash-up;medieval literature;post-medievalism | en_US |
| dc.title | The Getty Fiend | en_US |
| dc.type | book | |
| oapen.identifier.doi | 10.53288/0534.1.00 | en_US |
| oapen.relation.isPublishedBy | 979dc044-00ee-4ea2-affc-b08c5bd42d13 | en_US |
| oapen.relation.isbn | 9781685711962 | en_US |
| oapen.collection | ScholarLed | |
| oapen.imprint | Les Figues | en_US |
| oapen.pages | 127 | en_US |
| oapen.place.publication | Brooklyn, NY | en_US |
