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dc.contributor.editorFrese, Tobias
dc.contributor.editorHorstmann, Lisa
dc.contributor.editorWenig, Franziska
dc.date.accessioned2024-06-25T15:02:48Z
dc.date.available2024-06-25T15:02:48Z
dc.date.issued2024
dc.identifierONIX_20240625_9783111304496_4
dc.identifier.issn2198-6932
dc.identifier.urihttps://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/91013
dc.languageGerman
dc.languageEnglish
dc.relation.ispartofseriesMateriale Textkulturen
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHD European history::NHDJ European history: medieval period, middle ages
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRV Aspects of religion::QRVA Sacred texts, scriptures and revered writings::QRVA2 Readings, selections and meditations from sacred texts
dc.subject.otherPictoriality of writing
dc.subject.othersacredness
dc.subject.othericonicity of script
dc.subject.othermaterial turn
dc.titleSakrale Schriftbilder
dc.title.alternativeZur ikonischen Präsenz des Geschriebenen im mittelalterlichen Kirchenraum
dc.typebook
oapen.abstract.otherlanguageThe pictoriality of writing has been a major research topic for some years now. This reflects the fact that writing is not just read but always seen as well, that letters are not just written but can also be carved, scratched, and painted. This volume asks how the appearance of writing suggested sacredness in the medieval church space.
oapen.identifier.doi10.1515/9783111304496
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isFundedBy3358520f-7ab2-42ab-80ef-88a2dbe6a901
oapen.relation.isbn9783111304496
oapen.relation.isbn9783111303864
oapen.relation.isbn9783111306469
oapen.imprintDe Gruyter
oapen.series.number42
oapen.pages297
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]


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