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dc.contributor.editorMatter, Marc
dc.contributor.editorWehmeier, Henrik
dc.contributor.editorCosima Wolff, Clara
dc.date.accessioned2024-11-06T11:01:45Z
dc.date.available2024-11-06T11:01:45Z
dc.date.issued2024
dc.identifierONIX_20241106_9783111561356_117
dc.identifier.urihttps://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/94410
dc.description.abstractThis book critically examines how audioliterary poetry – poetry that is composed to be performed – is changing in the digital age. Its interdisciplinary chapters reflect on performative embodiment in live formats (such as poetry readings and poetry slams), inquire into the techno-poetic environments of experimental sound poetry and AI poetry, and discuss how performed poetry is circulated on platforms such as YouTube and Instagram.
dc.languageEnglish
dc.languageGerman
dc.relation.ispartofseriesPoetry in the Digital Age
dc.subject.classificationthema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
dc.subject.otherPoetry
dc.subject.otherPoetry Slam
dc.subject.otherSound Poetry
dc.titleAudioliterary Poetry between Performance and Mediatization / Audioliterale Lyrik zwischen Performance und Mediatisierung
dc.typebook
oapen.identifier.doi10.1515/9783111561356
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isFundedBy178e65b9-dd53-4922-b85c-0aaa74fce079
oapen.relation.isbn9783111561356
oapen.relation.isbn9783111561059
oapen.relation.isbn9783111561905
oapen.collectionEuropean Research Council (ERC)
oapen.imprintDe Gruyter
oapen.series.number4
oapen.pages293
oapen.place.publicationBerlin/Boston
oapen.grant.number884177


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