Show simple item record

dc.contributor.authorMONTORFANO, BEATRICE
dc.date.accessioned2024-12-20T11:37:43Z
dc.date.available2024-12-20T11:37:43Z
dc.date.issued2024
dc.identifierONIX_20241220_9791221505207_55
dc.identifier.issn2975-0229
dc.identifier.urihttps://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/96202
dc.languageItalian
dc.relation.ispartofseriesStudi di letterature moderne e comparate
dc.subject.otherShakespeare
dc.subject.othertheatre
dc.subject.otherItaly
dc.subject.othertranslation
dc.subject.othermarginality
dc.titleLinguaggi dal margine
dc.title.alternativeShakespeare nel teatro italiano contemporaneo
dc.typebook
oapen.abstract.otherlanguage“Who owns Shakespeare?” is a compelling question when one decides to delve into the relationship between the English author and experiences that share, albeit with considerable mutual differences, the category of marginality. At the centre of the volume are the case studies: Un’isola. Dalla mia finestra si vedono le montagne (2018), a production based on The Tempest and performed by the actors-prisoners of the Vigevano prison, directed by Alessia Gennari; Otello Circus (2018), by the company La Ribalta/Accademia Arte della Diversità, staged with actors with disabilities by director Antonio Viganò; Mal’essere (2017), a rewriting in Campania dialects of Hamlet, conceived and directed by Davide Iodice and produced by the Teatro Stabile di Napoli.
oapen.identifier.doi10.36253/979-12-215-0520-7
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221505207
oapen.relation.isbn9791221505191
oapen.relation.isbn9791221505214
oapen.relation.isbn9791221505221
oapen.imprintUSiena Press
oapen.series.number5
oapen.pages174
oapen.place.publicationFlorence


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record