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dc.contributor.authorRayner, Jonathan
dc.date.accessioned2025-02-10T13:56:26Z
dc.date.available2025-02-10T13:56:26Z
dc.date.issued2025
dc.identifierONIX_20250210_9781912482405_4
dc.identifier.urihttps://0-library-oapen-org.catalogue.libraries.london.ac.uk/handle/20.500.12657/98409
dc.description.abstractIn Screening the Fleet, Prof. Jonathan Rayner explores the representation of the modern Royal Navy on British television over a fifty year period from 1973 to 2023. Contextualising his subject with significant aspects of earlier naval representation, in recruiting, documentary and public information films from the 1940s to the 1960s, Rayner then brings his focus forward to 1973-2023. The 1970s were a significant decade for naval representation on television, and saw the broadcast of two definitive series: the BBC’s drama series Warship and the acclaimed documentary series Sailor. These landmark series set the benchmark for naval representation in both realist and in fictional portrayals. They also set precedents for audience perceptions, and these have affected the production, and the reception, of the series on the Royal Navy that have followed. Rayner’s work investigates how advances in technology allow programme makers to use new techniques in the spheres of naval drama and documentary. More recent series also need to balance the required conventions for any portrayal of the navy on television with the revelatory or iconoclastic approaches now expected by modern audiences. In focussing on the changing portrayal of the Royal Navy on television, however, Rayner also surfaces how the Navy itself has evolved in the post-World War II world. The series analysed in Screening the Fleet also evidence the changing nature and increasing diversity of the naval community as a reflection of changing notions of Britishness. Offering the first study of its type, this volume highlights evolving and emerging trends in factual and fact-based television programmes through their portrayal of a highly popular, patriotic and persistent subject over a fifty year period. It debates developments in television and documentary approaches using the representation of the Royal Navy, and its changing position in perceptions of British identity.
dc.languageEnglish
dc.subject.classificationthema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTC Film, TV and Radio industries
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JW Warfare and defence::JWT Military institutions
dc.subject.otherNaval representation
dc.subject.otherShips
dc.subject.otherTelevision
dc.subject.otherDocumentary
dc.subject.otherRoyal Navy
dc.titleScreening the Fleet
dc.title.alternativeThe Royal Navy on Television 1973–2023
dc.typebook
oapen.identifier.doi10.22599/ScreeningtheFleet
oapen.relation.isPublishedBya48d5205-697d-46b4-b080-2f5fc2e52439
oapen.relation.isbn9781912482405
oapen.relation.isbn9781912482412
oapen.relation.isbn9781912482429
oapen.relation.isbn9781912482436
oapen.imprintWhite Rose University Press
oapen.pages278
oapen.place.publicationYork


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